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Tee Quillin

actor | director | voiceover artist

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Category: Western Playhouse

Music Man – Western Playhouse – 2014

Posted on September 8, 2015 by Tee Quillin

In the summer of 2014, I was invited to direct The Music Man for Western Playhouse in Saint Joseph. I was very happy with the result! Scenic Design: Jeannie Beirne

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directing, Missouri Western, Musicals, theatre, Website News, Western Playhouse Photos

Miss Saigon – Western Playhouse 2013

Posted on April 19, 2014 by Tee Quillin

For the second season of Western Playhouse, I was handed a seemingly insurmountable task for our fledgling company.  I put together the best production team I knew and set about

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directing, theatre, Website News, Western Playhouse Photos 22 Comments

Barefoot in the Park – Summer 2012

Posted on January 31, 2013 by Tee Quillin

This is the production that I directed for Western Playhouse.  It’s Barefoot in the Park by Neil Simon.  This show fell between the two musicals that I performed in. Credits:

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directing, photos, theatre, Website News, Western Playhouse Photos 2 Comments

You’re a Good Man, Charlie Brown – Summer 2012

Posted on January 31, 2013 by Tee Quillin

This was the very first production of Western Playhouse.  I played Charlie Brown.  I think I was typecast. Credits: Direction: Dallas Henry Musical Direction: Mark Pennington Set & Lighting Design:

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theatre, Website News, Western Playhouse Photos 2 Comments

I Love You, You’re Perfect, Now Change – Summer 2012

Posted on January 31, 2013 by Tee Quillin

These are some stills from a production from the inaugural season of Western Playhouse, Missouri Western’s new summer professional theatre company.  This show was a ton of fun to work

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Sarah Lena Brown
Tee had managed to put together an incredibly professional audio show.  I spent a few years in radio and had a jaded opinion on produced shows; everything sounded like it wanted to be on NPR but hadn't yet made the cut.  Inexplicable Dumb Show, however, was entirely different.  The show focused primarily on theatre; professional, amateur, and community theatre all had a voice and a home there.  Tee's editing and production kept the show tight and focused, but never let the format sound forced or hurried.  That, in and of itself, is a marvel.  He kept a steady stream of relevant and prestigious guests on the mic, one of whom was a redhead from Alabama named SARAH LENA BROWN. You never know how a guest spot on a show is going to go.  You have no idea of the pace and rhythm of the usual gang, you don't know if your flavor of humor will mesh with the show, and you don't know if your dog will suddenly go nuts because a squirrel appeared outside while you were trying to tape the episode via Skype.  Didn't matter.  Although I was new, Tee and John crafted an environment that was comfortable to me; they adapted to my humor and nudged me in a better direction if I took a conversation off course.  And although my dog went into something of a vocal seizure mid-episode, the final cut had no evidence that I was anywhere BUT in the studio with them. The final version was something I was incredibly proud of.. I was proud to be a part of it and I was amazed at Tee's skills in this medium.

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